2003, ISBN: 9780394585918

Edição encadernada

New York: Harcourt. Near Fine in Fine dust jacket. 2003. First Edition; First Printing. Hardcover. 0151001847 . Signed by Knode on the title page, and by author James Ellroy on the dedic… mais…

New York: Harcourt. Near Fine in Fine dust jacket. 2003. First Edition; First Printing. Hardcover. 0151001847 . Signed by Knode on the title page, and by author James Ellroy on the dedication page. Crimping to the bottom of a few page edges. Movies are the stuff nightmares of made of in this debut noir thriller.; 340 pages; Signed by Author ., Harcourt, 2003, 4.5, New York: Alfred A. Knopf; A Borzoi Book, 2001. xi, 448 pages, illustrations; 25 cm. Tight, clean copy. Stated First Edition. Dust jacket protected in a mylar cover. A fine copy of the first printing. "From the author of Romantic Comedy ('brilliant, meticulous, a monumental work of scholarship'--Margo Jefferson, New York Times), a fresh, illuminating look at the films of the 1950s. Harvey begins by mapping the progression from 1940s film noir to the living-room melodramas of the 1950s. He shows us the femme fatale of the 1940s (Barbara Stanwyck, Joan Bennett) becoming blander and blonder (Doris Day, Debbie Reynolds) and younger and more traditionally sexy (Marilyn Monroe, Grace Kelly) in the 1950s. And he shows us how women were finally replaced as objects of desire by the new boy-men--Clift, Brando, Dean, and other rebels without causes. Harvey discusses the films of Hitchcock (Vertigo), Ophuls (The Reckless Moment), Siodmak (Christmas Holiday), and Welles (Touch of Evil, perhaps the single greatest influence on the 'post-classica'l movies). He writes about the quintessential 1950s directors: Nicholas Ray, who made movies in the old Hollywood tradition (In a Lonely Place, Johnny Guitar), and Douglas Sirk, who portrayed suburbia as an emotional deathtrap (Imitation of Life, Magnificent Obsession). And he discusses the 'serious' directors, such as Stanley Kramer and Elia Kazan, whose films exhibited powerful new realism. Comprehensive, insightful, written with intelligence, humor, and affection, Movie Love in the Fifties is a masterful work of American film, and cultural, history. / James Harvey is a playwright, essayist, and critic. He is the author of Romantic Comedy, and his work has appeared in the New York Review of Books and The Threepenny Review. He lives in Brooklyn." - Publisher. CONTENTS: Introduction; PT. 1. THE WOMEN; Noir heroines; Out of the past; Vertigo; Betty Grable to Doris Day; Marilyn Monroe; Hitchcock's blondes; Janet Leigh and Psycho; The Big heat; PT. 2. THE MEN; Clift, Brando, Dean; Method movies; In a lonely place; James Dean; Nicholas Ray; Bitter victory; PT. 3 THE MOVIES; the Fifties; the Reckless moment; Robert Siodmak; Christmas holiday; Orson Welles; Johnny Guitar; PT. 4: THE MOVIEMAKERS; Retrospective; Written on the wind; Douglas Sirk; Ross Hunter; Imitation of life; Conclusion. . 1st. Hardcover. Fine/Fine. 8vo. Collectible., Alfred A. Knopf; A Borzoi Book, 2001, 5<

2001, ISBN: 9780394585918

Edição encadernada

Paperback / softback. New. This magnificent selection from two decades of work by Victor Rodriguez Nunez confirms his pivotal position in international poetry. Two vital language current… mais…

Paperback / softback. New. This magnificent selection from two decades of work by Victor Rodriguez Nunez confirms his pivotal position in international poetry. Two vital language currents of the Americas meet in Katherine Hedeen's scintillating translations., 6, New York: Alfred A. Knopf; A Borzoi Book, 2001. xi, 448 pages, illustrations; 25 cm. Tight, clean copy. Stated First Edition. Dust jacket protected in a mylar cover. A fine copy of the first printing. "From the author of Romantic Comedy ('brilliant, meticulous, a monumental work of scholarship'--Margo Jefferson, New York Times), a fresh, illuminating look at the films of the 1950s. Harvey begins by mapping the progression from 1940s film noir to the living-room melodramas of the 1950s. He shows us the femme fatale of the 1940s (Barbara Stanwyck, Joan Bennett) becoming blander and blonder (Doris Day, Debbie Reynolds) and younger and more traditionally sexy (Marilyn Monroe, Grace Kelly) in the 1950s. And he shows us how women were finally replaced as objects of desire by the new boy-men--Clift, Brando, Dean, and other rebels without causes. Harvey discusses the films of Hitchcock (Vertigo), Ophuls (The Reckless Moment), Siodmak (Christmas Holiday), and Welles (Touch of Evil, perhaps the single greatest influence on the 'post-classica'l movies). He writes about the quintessential 1950s directors: Nicholas Ray, who made movies in the old Hollywood tradition (In a Lonely Place, Johnny Guitar), and Douglas Sirk, who portrayed suburbia as an emotional deathtrap (Imitation of Life, Magnificent Obsession). And he discusses the 'serious' directors, such as Stanley Kramer and Elia Kazan, whose films exhibited powerful new realism. Comprehensive, insightful, written with intelligence, humor, and affection, Movie Love in the Fifties is a masterful work of American film, and cultural, history. / James Harvey is a playwright, essayist, and critic. He is the author of Romantic Comedy, and his work has appeared in the New York Review of Books and The Threepenny Review. He lives in Brooklyn." - Publisher. CONTENTS: Introduction; PT. 1. THE WOMEN; Noir heroines; Out of the past; Vertigo; Betty Grable to Doris Day; Marilyn Monroe; Hitchcock's blondes; Janet Leigh and Psycho; The Big heat; PT. 2. THE MEN; Clift, Brando, Dean; Method movies; In a lonely place; James Dean; Nicholas Ray; Bitter victory; PT. 3 THE MOVIES; the Fifties; the Reckless moment; Robert Siodmak; Christmas holiday; Orson Welles; Johnny Guitar; PT. 4: THE MOVIEMAKERS; Retrospective; Written on the wind; Douglas Sirk; Ross Hunter; Imitation of life; Conclusion. Size: 8vo - over 7¾" - 9¾" tall. 1st. Hardcover. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Collectible., Alfred A. Knopf; A Borzoi Book, 2001, 5<

2001, ISBN: 9780394585918

New York: Alfred A. Knopf; A Borzoi Book, 2001 xi, 448 pages, illustrations; 25 cm. Tight, clean copy. Stated First Edition. Dust jacket protected in a mylar cover. A fine copy of the fir… mais…

New York: Alfred A. Knopf; A Borzoi Book, 2001 xi, 448 pages, illustrations; 25 cm. Tight, clean copy. Stated First Edition. Dust jacket protected in a mylar cover. A fine copy of the first printing. "From the author of Romantic Comedy ('brilliant, meticulous, a monumental work of scholarship'--Margo Jefferson, New York Times), a fresh, illuminating look at the films of the 1950s. Harvey begins by mapping the progression from 1940s film noir to the living-room melodramas of the 1950s. He shows us the femme fatale of the 1940s (Barbara Stanwyck, Joan Bennett) becoming blander and blonder (Doris Day, Debbie Reynolds) and younger and more traditionally sexy (Marilyn Monroe, Grace Kelly) in the 1950s. And he shows us how women were finally replaced as objects of desire by the new boy-men--Clift, Brando, Dean, and other rebels without causes. Harvey discusses the films of Hitchcock (Vertigo), Ophuls (The Reckless Moment), Siodmak (Christmas Holiday), and Welles (Touch of Evil, perhaps the single greatest influence on the 'post-classica'l movies). He writes about the quintessential 1950s directors: Nicholas Ray, who made movies in the old Hollywood tradition (In a Lonely Place, Johnny Guitar), and Douglas Sirk, who portrayed suburbia as an emotional deathtrap (Imitation of Life, Magnificent Obsession). And he discusses the 'serious' directors, such as Stanley Kramer and Elia Kazan, whose films exhibited powerful new realism. Comprehensive, insightful, written with intelligence, humor, and affection, Movie Love in the Fifties is a masterful work of American film, and cultural, history. / James Harvey is a playwright, essayist, and critic. He is the author of Romantic Comedy, and his work has appeared in the New York Review of Books and The Threepenny Review. He lives in Brooklyn." - Publisher. CONTENTS: Introduction; PT. 1. THE WOMEN; Noir heroines; Out of the past; Vertigo; Betty Grable to Doris Day; Marilyn Monroe; Hitchcock's blondes; Janet Leigh and Psycho; The Big heat; PT. 2. THE MEN; Clift, Brando, Dean; Method movies; In a lonely place; James Dean; Nicholas Ray; Bitter victory; PT. 3 THE MOVIES; the Fifties; the Reckless moment; Robert Siodmak; Christmas holiday; Orson Welles; Johnny Guitar; PT. 4: THE MOVIEMAKERS; Retrospective; Written on the wind; Douglas Sirk; Ross Hunter; Imitation of life; Conclusion. . 1st. Hardcover. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Collectible., Alfred A. Knopf; A Borzoi Book, 2001, 5<

2001, ISBN: 9780394585918

New York: Alfred A. Knopf; A Borzoi Book, 2001. xi, 448 pages, illustrations; 25 cm. Tight, clean copy. Stated First Edition. Dust jacket protected in a mylar cover. A fine copy of the fi… mais…

New York: Alfred A. Knopf; A Borzoi Book, 2001. xi, 448 pages, illustrations; 25 cm. Tight, clean copy. Stated First Edition. Dust jacket protected in a mylar cover. A fine copy of the first printing. "From the author of Romantic Comedy ('brilliant, meticulous, a monumental work of scholarship'--Margo Jefferson, New York Times), a fresh, illuminating look at the films of the 1950s. Harvey begins by mapping the progression from 1940s film noir to the living-room melodramas of the 1950s. He shows us the femme fatale of the 1940s (Barbara Stanwyck, Joan Bennett) becoming blander and blonder (Doris Day, Debbie Reynolds) and younger and more traditionally sexy (Marilyn Monroe, Grace Kelly) in the 1950s. And he shows us how women were finally replaced as objects of desire by the new boy-men--Clift, Brando, Dean, and other rebels without causes. Harvey discusses the films of Hitchcock (Vertigo), Ophuls (The Reckless Moment), Siodmak (Christmas Holiday), and Welles (Touch of Evil, perhaps the single greatest influence on the 'post-classica'l movies). He writes about the quintessential 1950s directors: Nicholas Ray, who made movies in the old Hollywood tradition (In a Lonely Place, Johnny Guitar), and Douglas Sirk, who portrayed suburbia as an emotional deathtrap (Imitation of Life, Magnificent Obsession). And he discusses the 'serious' directors, such as Stanley Kramer and Elia Kazan, whose films exhibited powerful new realism. Comprehensive, insightful, written with intelligence, humor, and affection, Movie Love in the Fifties is a masterful work of American film, and cultural, history. / James Harvey is a playwright, essayist, and critic. He is the author of Romantic Comedy, and his work has appeared in the New York Review of Books and The Threepenny Review. He lives in Brooklyn." - Publisher. CONTENTS: Introduction; PT. 1. THE WOMEN; Noir heroines; Out of the past; Vertigo; Betty Grable to Doris Day; Marilyn Monroe; Hitchcock's blondes; Janet Leigh and Psycho; The Big heat; PT. 2. THE MEN; Clift, Brando, Dean; Method movies; In a lonely place; James Dean; Nicholas Ray; Bitter victory; PT. 3 THE MOVIES; the Fifties; the Reckless moment; Robert Siodmak; Christmas holiday; Orson Welles; Johnny Guitar; PT. 4: THE MOVIEMAKERS; Retrospective; Written on the wind; Douglas Sirk; Ross Hunter; Imitation of life; Conclusion. . 1st. Hardcover. Fine/Fine. 8vo. Collectible., Alfred A. Knopf; A Borzoi Book, 2001, 5<