2021, ISBN: 9780870705885

Edição encadernada

American Horizon, 1959. American Horizon 1959 Very Good/ Light wear to olive-green cloth. Solid structure, Illustrated throughout most in color. Includes: Misuses of the Past by Herbert … mais…

American Horizon, 1959. American Horizon 1959 Very Good/ Light wear to olive-green cloth. Solid structure, Illustrated throughout most in color. Includes: Misuses of the Past by Herbert J. Muller; The Two Worlds of Alexander by C. A. Robinson, Jr.; The Rules of Fashion Cycles by Dwight E. Robinson; When Forgery Becomes a Fine Art by Gilbert Highet; The Elephant of Paris; etc. 136 Pages. Size:12 1/4 x 9 1/4 x 1/2 inches. OVERSIZE ITEM. . Hardcover. Very Good. No Exp., American Horizon, 1959, 3, New York, NY: New American Library: Signet. Very Good+. 1977. First Edition Thus (1972), so stated. The hardcover edition was published . in 1970; First Printing. Mass Market Paperback. First Edition Thus (1977) , so stated; First Printing indicated by a complete numerical sequence. Very Good+ in Wraps: shows just a touch of wear to the extremities; mild rubbing the panels of the wrapper covers and a hint of consequent soiling to the white background field; a faint crease near the lower rear corner; the expected light tanning to the text pages, due to aging; prices have been blocked out at the upper front corner and near the heel of the backstrip; the binding remains square and secure; the text is clean. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, carefully-used copy, structurally sound and tightly bound, showing very mild wear and a minor, unobtrusive cosmetic imperfections. Close to "As New". NOT a Remainder, Book-Club, or Ex-Library. 12mo. (7 x 4.25 x 0.65 inches) . Language: English. Weight: 5 ounces. All edges tinted yellow. The hardcover edition was published in 1976. Mass Market Paperback. Sidney J." Sitting Pretty" Prettymon is down but not out in Palo Alto, living in a flea-bag hotel (there were some in Palo Alto then) , burning his brain cells on cheap port, and reflecting charmingly in street dialect and at length about a wide assortment of tangential characters, while fending off sexual advances from Marguerite, passing as white in her Rolls-Royce, JoJo, the North Beach night-club owner, Anna, the San Francisco artist/activist... Maybe Sit is a bit too charming for his own good. Sit has trouble holding a job, but so do most of his friends. Sit has a respectable lawyer son who gets him out of trouble and a hyper-respectable son-in-law who tempts him into more. Sit has his brush with the law, and his brush with the reality of death. Al Young (1939 – 2021) was an American poet, novelist, essayist, screenwriter, and professor. He was named Poet Laureate of California by Governor Arnold Schwarzenegger from 2005 to 2008. Young authored novels, collections of poetry, essays, and memoirs. His work appeared in Paris Review, Ploughshares, Essence, The New York Times, Chicago Review, Seattle Review, Brilliant Corners: A Journal of Jazz & Literature, Chelsea, Rolling Stone, Gathering of the Tribes, and in anthologies including the Norton Anthology of African American Literature, and the Oxford Anthology of African American Literature. Young was awarded a Guggenheim fellowship in fiction. He was also awarded a Fulbright fellowship, two Puschart prizes, the PEN-USA Award, multiple National Endowment for the Arts fellowships, and a Wallace Stegner fellowship. He twice received the American Book Award, for Bodies and Soul: Musical Memoirs (1982) and The Sound of Dreams Remembered: Poems 1990–2000 (2002). In 2009, Young was awarded an honorary Doctorate of Humane Letters from Whittier College. ; 12mo 7" - 7½" tall; 230 pages ., New American Library: Signet, 1977, 3, New York, NY Bantam Books, 1974. Paperback First Edition in this form (1974). Good+ to Very Good in Wraps: shows moderate wear to the extremities with a bit of creasing to the lower outside edge of the front panel; light rubbing to the panels; a couple of stress creases to the backstrip and one along the front hinge; the expected light tanning to the text pages due to aging; the binding leans very slightly but remians secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A carefully-used copy, structurally sound and tightly bound, showing moderate wear and minor, unobtrusive cosmetic imperfections. NOT a Remainder, Book-Club, or Ex-Library. 12mo. (7 x 4.25 x 0.45 inches). 118 pages. Language: English. Weight: 3.4 ounces. White and gold titles at the front panel and backstrip. Portrait of Ms Nin by Marlis Schwieger at the front panel. Mass Market Paperback. Anais Nin (1903 – 1977) was a French-born American diarist, essayist, novelist, and writer of short stories and erotica. Born to Cuban parents in France, Nin was the daughter of the composer Joaquín Nin and the classically trained singer Rosa Culmell. Nin spent her early years in Spain and Cuba, about sixteen years in Paris (1924–1940), and the remaining half of her life in the United States, where she became an established author. She was a finalist for the Neustadt International Prize for Literature in 1976. A Spy in House of Love is an exquisitely crafted, sometimes-puzzling little novel well worth reading for its beautiful language and occasionally penetrating insights. The tale of Sabina, an enigmatic and ultimately insecure woman who is wedded to the indulgent and adoring Alan while nevertheless still being driven compulsively to stray, is told in a style often distilled down to a prose poetry whose savor lingers in the mind like a fragrance cloying half-sensed yet evocative in the wondering nose. Really, it is the journey--the subtle psychological investigations and the syrupy flow of Nin's verbal art--rather than any final conclusion or resolution that makes the read worthwhile., Bantam Books, 1974., 0, Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects., 3<

1999, ISBN: 9780870705885

Edição encadernada

Graywolf Pr. Very Good. 5.75 x 0.5 x 9 inches. Paperback. 1993. 151 pages. <br>Selected lectures from writers' conferences on the art and craft of finding and using artistic in… mais…

Graywolf Pr. Very Good. 5.75 x 0.5 x 9 inches. Paperback. 1993. 151 pages. <br>Selected lectures from writers' conferences on the art and craft of finding and using artistic inspiration feature the works of Jane Smiley, Gary Snyder, Miroslav Holub, and Mary C learman Blew Editorial Reviews Review These fourteen thought-provoked essays originated as lectures delivered at a va riety of writers conferences. In Can Mothers Think?, Jane Smiley addresses the failure of literature to include mothers and argues that such authors as Toni Morrison, Sue Miller, Alice Walker, an d Louise Erdrich are creating a new literature, the literature of real, live motherhood. Gary Snyder, at the Art of the Wild Confe rence in Squaw Valley, claims that like ecosystems, consciousness , mind, imagination, and language are fundamentally wild, while o ver at the Paris Writers Conference, Julian Gloag laments the ten tativeness of students who haven't been trained to think. Michael Dennis Browne proposes that it is a sense of constantly failing to reach perfection that propels us to continue writing; Donald J ustice, similarly, discusses the elusiveness of the ideal. Thanks to editor Kurt Brown, we can consume the lean, nourishing meat o f the conferences without having first to pick our way through th e fat. --Jane Steinberg From Publishers Weekly This anthology of 14 essays, first delivered as lectures at several writers' confe rences around the country, contains some wisdom and inspiration b ut lacks coherence. Jane Smiley reflects thoughtfully on the extr eme paucity of mothers, and of the tradition of a maternal vision in our literary culture, and suggests that a new literature of r eal, live motherhood is being forged. Christopher Merrill, report ing on a writers' conference in Slovenia, finds the famous paneli sts ignoring the nearby Bosnian war and instead haranguing the U. S. government about copyright law. William Kittredge, citing the disenfranchised, suggests, We need stories that will encourage us toward acts of the imagination that in turn will drive us to the arts of empathy. Agha Shahid Ali criticizes American ethnocentri sm for ignoring Faiz Ahmed Faiz, a great Pakistani poet who wrote from Beirut and whose death was front-page news in the Middle Ea st and elsewhere. Several lectures, however, are slight, and desp ite the book's title, few pieces address the craft of writing. Br own, former director of the Aspen Writers' Conference, is co-foun der of Writers' Conferences and Festivals. Copyright 1993 Reed B usiness Information, Inc. From Library Journal Edited by the pre sident of Writers' Conferences and Festivals, this anthology of 1 4 lectures delivered by writers to various writers' conferences b egins with Jane Smiley's thoughts on the difficulty of truly writ ing from a mother's point of view (men just can't do it). Christo pher Merrill contributes a standout piece from the fringe of the Balkan civil war. In the title piece, Agha Shalid Ali analyzes th e work of Faed Ahmed Faiz, arguing that the politics of exclusion keep Faiz little known in the United States. A few pieces stray as they analyze particular works, but most of these writers are d iscussing writing itself, not another writer; this is the book's strength. Writing instructors will find good material in this col lection to spark discussion. Writers will find some inspiration, insight, and laughs. Recommended for academic and public librarie s. - Robert Moore, DuPont Merck Pharmaceutical Co. Information Sv cs., N. Billerica, Mass. Copyright 1993 Reed Business Information , Inc. ., Graywolf Pr, 1993, 3, (London: Weidenfeld & Nicolson, 1999) 0297825283. 4to; original blue boards, lettered in silver gilt on spine; laminated pictorial dustwrapper; decorative endpapers; pp. 256; full-colour photographs; maps; photographs from Hemingway's lifetime. Top edge of dustwrapper slightly curled and edgeworn; gift inscription to front free endpaper verso. Very good condition. "One hundred years after the birth of Ernest Hemingway, Michael Palin sets out to discover the man behind the legend: a hard-drinking womaniser who liked cats and shooting - but wrote like a dream and left an indelible impression on the twentieth century through his work. Fuelled by intensive reading for his best-selling novel, Hemingway's Chair and, as always, driven by a desire to discover new places, Michael Palin attempts to put himself in Hemingway's world. The past and the present intertwine, sometimes to startling effect, as Michael travels from Chicago to the forests and lakes of north Michigan, and from the First World War battlefields in Italy, to Paris, and Spain where he pauses to learn about the art of bullfighting and to experience Pamplona during the feria and the famous running of the bulls." ., (London: Weidenfeld & Nicolson, 1999) 0297825283, 0, Museum of Modern Art. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Museum of Modern Art, 2.5<