ISBN: 9781140994367

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination t… mais…

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++British LibraryT183618Engraved throughout, apart from the letterpress list of subscribers. The widow = Sarah Long. London: printed for and sold by the widow [i.e. Sarah Long] at Mr. Whitefoots in Hatton Garden. [sic] and Chas. and Saml. Thompson, [1770?]. [4],21,[1]p. : engr. music; obl.2° Books, Art~~History~~General, Four-lessons-and-two-voluntarys-for-the-harpsichord-or-organ-composed-by-Mr-Samuel-Long~~Samuel-Long, 999999999, Four lessons and two voluntarys for the harpsichord or organ composed by Mr. Samuel Long ..., Samuel Long, 1140994360, Gale ECCO, Print Editions, , , , , Gale ECCO, Print Editions<

2010, ISBN: 1140994360

[EAN: 9781140994367], Neubuch, [PU: Gale Ecco, Print Editions, United States], Language: English . Brand New Book ***** Print on Demand *****.The 18th century was a wealth of knowledge, e… mais…

[EAN: 9781140994367], Neubuch, [PU: Gale Ecco, Print Editions, United States], Language: English . Brand New Book ***** Print on Demand *****.The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++lt;sourceLibrarygt;British Librarylt;ESTCIDgt;T183618lt;Notesgt;Engraved throughout, apart from the letterpress list of subscribers. The widow = Sarah Long.lt;imprintFullgt;London: printed for and sold by the widow [i.e. Sarah Long] at Mr. Whitefoots in Hatton Garden. [sic] and Chas. and Saml. Thompson, [1770?]. lt;collationgt;[4],21, [1]p.: engr.music; obl.2, Books<

2010, ISBN: 1140994360

[EAN: 9781140994367], Neubuch, [PU: Gale Ecco, Print Editions, United States], Language: English . Brand New Book ***** Print on Demand *****.The 18th century was a wealth of knowledge, e… mais…

[EAN: 9781140994367], Neubuch, [PU: Gale Ecco, Print Editions, United States], Language: English . Brand New Book ***** Print on Demand *****.The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++lt;sourceLibrarygt;British Librarylt;ESTCIDgt;T183618lt;Notesgt;Engraved throughout, apart from the letterpress list of subscribers. The widow = Sarah Long.lt;imprintFullgt;London: printed for and sold by the widow [i.e. Sarah Long] at Mr. Whitefoots in Hatton Garden. [sic] and Chas. and Saml. Thompson, [1770?]. lt;collationgt;[4],21, [1]p.: engr.music; obl.2<

2010, ISBN: 1140994360

[EAN: 9781140994367], Neubuch, [PU: Gale Ecco, Print Editions, United States], Language: English Brand New Book ***** Print on Demand *****.The 18th century was a wealth of knowledge, exp… mais…

[EAN: 9781140994367], Neubuch, [PU: Gale Ecco, Print Editions, United States], Language: English Brand New Book ***** Print on Demand *****.The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++lt;sourceLibrarygt;British Librarylt;ESTCIDgt;T183618lt;Notesgt;Engraved throughout, apart from the letterpress list of subscribers. The widow = Sarah Long.lt;imprintFullgt;London: printed for and sold by the widow [i.e. Sarah Long] at Mr. Whitefoots in Hatton Garden. [sic] and Chas. and Saml. Thompson, [1770?]. lt;collationgt;[4],21, [1]p.: engr.music; obl.2<

ISBN: 9781140994367

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination t… mais…

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT183618Engraved throughout, apart from the letterpress list of subscribers. The widow = Sarah Long.London: printed for and sold by the widow i.e. Sarah Long] at Mr. Whitefoots in Hatton Garden. sic] and Chas. and Saml. Thompson, 1770?]. 4],21, 1]p.: engr.music; obl.2 Books List_Books<