2001, ISBN: 9780439327619

Design Image Group Inc, 2001-10-26. Paperback. Good., Design Image Group Inc, 2001-10-26, 2.5, Wish Pub, 2001-09-15. Paperback. Very Good., Wish Pub, 2001-09-15, 3, Irving Berlin's Best… mais…

Design Image Group Inc, 2001-10-26. Paperback. Good., Design Image Group Inc, 2001-10-26, 2.5, Wish Pub, 2001-09-15. Paperback. Very Good., Wish Pub, 2001-09-15, 3, Irving Berlin's Best for the Wurlitzer Organ, No. 2published by Irving Berlin Music CorporationTen Songs with music & lyricsPaperback12.1 x 9 inches, 23 pagesIrving Berlin (born Israel Beilin May 23 1888 September 22, 1989) was an American composer and lyricist, widely considered one of the greatest songwriters in American history. His music forms a great part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights, and had his first major international hit, "Alexander's Ragtime Band" in 1911. He also was an owner of the Music Box Theatre on Broadway. It is commonly believed that Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp unless using his custom piano equipped with a transposing lever."Alexander's Ragtime Band" sparked an international dance craze in places as far away as Berlin's native Russia, which also "flung itself into the ragtime beat with an abandon bordering on mania." Over the years he was known for writing music and lyrics in the American vernacular: uncomplicated, simple and direct, with his stated aim being to "reach the heart of the average American," whom he saw as the "real soul of the country." In doing so, said Walter Cronkite, at Berlin's 100th birthday tribute, he "helped write the story of this country, capturing the best of who we are and the dreams that shape our lives."He wrote hundreds of songs, many becoming major hits, which made him famous before he turned thirty. During his 60-year career he wrote an estimated 1,500 songs, including the scores for 20 original Broadway shows and 15 original Hollywood films, with his songs nominated eight times for Academy Awards. Many songs became popular themes and anthems, including "Alexander's Ragtime Band", "Easter Parade", "Puttin' on the Ritz", "Cheek to Cheek", "White Christmas", "Happy Holiday", "Anything You Can Do (I Can Do Better)", and "There's No Business Like Show Business". His Broadway musical and 1943 film This is the Army, with Ronald Reagan, had Kate Smith singing Berlin's "God Bless America" which was first performed in 1938.Berlin's songs have reached the top of the charts 25 times and have been extensively re-recorded by numerous singers including The Andrews Sisters, Eddie Fisher, Al Jolson, Fred Astaire, Ethel Merman, Louis Armstrong, Frank Sinatra, Dean Martin, Elvis Presley, Judy Garland, Barbra Streisand, Linda Ronstadt, Rosemary Clooney, Cher, Diana Ross, Bing Crosby, Sarah Vaughan, Ruth Etting, Fanny Brice, Marilyn Miller, Rudy Valee, Nat King Cole, Billie Holiday, Doris Day, Jerry Garcia, Willie Nelson, Bob Dylan, Leonard Cohen, Ella Fitzgerald, Michael Buble, Lady Gaga, and Christina Aguilera.Composer Douglas Moore sets Berlin apart from all other contemporary songwriters, and includes him instead with Stephen Foster, Walt Whitman, and Carl Sandburg, as a "great American minstrel"someone who has "caught and immortalized in his songs what we say, what we think about, and what we believe." Composer George Gershwin called him "the greatest songwriter that has ever lived", and composer Jerome Kern concluded that "Irving Berlin has no place in American musiche is American music."The New York Times, after his death in 1989, wrote, "Irving Berlin set the tone and the tempo for the tunes America played and sang and danced to for much of the 20th century." An immigrant from Russia, his life became the "classic rags-to-riches story that he never forgot could have happened only in America." During his career he wrote an estimated 1,500 songs and was a legend by the time he turned 30. He went on to write the scores for 20 original Broadway shows and 15 original Hollywood films, with his songs nominated for Academy Awards on eight occasions. Music historian Susannah McCorkle writes that "in scope, quantity, and quality his work was amazing." Others, such as Broadway musician Anne Phillips, says simply that "the man is an American institution."During his six-decade career, from 1907 to 1966, he produced sheet music, Broadway shows, recordings, and scores played on radio, in films and on television, and his tunes continue to evoke powerful emotions for millions around the world. He wrote songs like "Alexander's Ragtime Band," "Cheek to Cheek", "There's No Business Like Show Business", "Blue Skies" and "Puttin' On the Ritz." Some of his songs have become holiday anthems, such as "Easter Parade", "White Christmas" and "Happy Holiday". "White Christmas" alone sold over 50 million records, the top single selling song in recording history, won an ASCAP and an Academy Award, and is one of the most frequently played songs ever written.In 1938, "God Bless America" became the unofficial national anthem of the United States, and on September 11, 2001, members of the House of Representatives stood on the steps of the Capitol and solemnly sang "God Bless America" together. The song returned to no. 1 shortly after 9/11, when Celine Dion recorded it as the title track of a 9/11 benefit album. The following year, the Postal Service issued a commemorative stamp of Berlin. By then, the Boy Scouts and Girl Scouts of New York had received more than $10 million in royalties from "God Bless America" as a result of Berlin's donation of royalties. According to music historian Gary Giddins, "No other songwriter has written as many anthems.... No one else has written as many pop songs, period... His gift for economy, directness, and slang, presents Berlin as an obsessive, often despairing commentator on the passing scene."In 1934, Time put him on its cover and inside hailed "this itinerant son of a Russian cantor" as "an American institution." And again, in 1943, the same magazine described his songs as follows:They possess a permanence not generally associated with Tin Pan Alley products and it is more than remotely possible that in days to come Berlin will be looked upon as the Stephen Foster of the 20th century.At various times, his songs were also rallying cries for different causes: He produced musical editorials supporting Al Smith and Dwight Eisenhower as presidential candidates, he wrote songs opposing Prohibition, defending the gold standard, calming the wounds of the Great Depression, and helping the war against Hitler, and in 1950 he wrote an anthem for the state of Israel. Biographer David Leopold adds that "We all know his songs... they are all part of who we are."At his 100th-birthday celebration in May 1988, violinist Isaac Stern said, "The career of Irving Berlin and American music were intertwined foreverAmerican music was born at his piano," while songwriter Sammy Cahn pointed out: "If a man, in a lifetime of 50 years, can point to six songs that are immediately identifiable, he has achieved something. Irving Berlin can sing 60 that are immediately identifiable... You couldn't have a holiday without his permission." Composer Douglas Moore added:It's a rare gift which sets Irving Berlin apart from all other contemporary songwriters. It is a gift which qualifies him, along with Stephen Foster, Walt Whitman, Vachel Lindsay and Carl Sandburg, as a great American minstrel. He has caught and immortalized in his songs what we say, what we think about, and what we believe.ASCAP's records show that 25 of Berlin's songs reached the top of the charts and were re-recorded by dozens of famous singers over the years, such as Eddie Fisher, Al Jolson, Bing Crosby, Frank Sinatra, Barbra Streisand, Linda Ronstadt, Rosemary Clooney, Doris Day, Diana Ross, Nat King Cole and Ella Fitzgerald. In 1924, when Berlin was 36, his biography, The Story of Irving Berlin, was being written by Alexander Woollcott. In a letter to Woollcott, Jerome Kern offered what one writer said "may be the last word" on the significance of Irving Berlin:Irving Berlin has no place in American musiche is American music. Emotionally, he honestly absorbs the vibrations emanating from the people, manners and life of his time and, in turn, gives these impressions back to the worldsimplified, clarified and glorified.Composer George Gershwin (18981937) also tried to describe the importance of Berlin's compositions:I want to say at once that I frankly believe that Irving Berlin is the greatest songwriter that has ever lived.... His songs are exquisite cameos of perfection, and each one of them is as beautiful as its neighbor. Irving Berlin remains, I think, America's Schubert. But apart from his genuine talent for song-writing, Irving Berlin has had a greater influence upon American music than any other one man. It was Irving Berlin who was the very first to have created a real, inherent American music.... Irving Berlin was the first to free the American song from the nauseating sentimentality which had previously characterized it, and by introducing and perfecting ragtime he had actually given us the first germ of an American musical idiom; he had sown the first seeds of an American music., Irving Berlin Music Corporation, 1955, 2.5, U. S. A.: Scholastic, 2001. Very slight edgewear and faint creasing of spine and covers, otherwise a fine clean tight and bright copy - This book has over 100 easy tunes for beginner recorder players with color illustrations on every page. Soft Cover. Very Good. Illus. by Illlustrated., Scholastic, 2001, 3<