The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… mais…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
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The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… mais…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
hive.co.uk
No. 9780511985393. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio Details...
(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… mais…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
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No. 9780511985393. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio Details...
(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "… mais…
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Houghton Mifflin Harcourt<
hive.co.uk
No. 9780511985393. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio Details...
(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… mais…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
No. 9780511985393. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… mais…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
No. 9780511985393. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… mais…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
No. 9780511985393. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "… mais…
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Houghton Mifflin Harcourt<
No. 9780511985393. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio
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Dados bibliográficos do melhor livro correspondente
Dados detalhados do livro - Opera in the Novel from Balzac to Proust
EAN (ISBN-13): 9780511985393 Ano de publicação: 2011 Editor/Editora: Cambridge University Press
Livro na base de dados desde 2008-07-11T20:18:39-03:00 (Sao Paulo) Página de detalhes modificada pela última vez em 2024-01-07T12:36:03-03:00 (Sao Paulo) Número ISBN/EAN: 9780511985393
Número ISBN - Ortografia alternativa: 978-0-511-98539-3 Ortografia alternativa e termos de pesquisa relacionados: Autor do livro: corma, cormac, proust, lorrie moore, houghton mifflin harcourt Título do livro: balzac, proust, opera opera
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