2018, ISBN: 9781843404385

Livro de bolso, Edição encadernada

Random House. Good. 5.94 x 9.13 x 1.22 inches. Paperback. 2006. 422 pages. Text tanned<br>This magnificent novel by one of Americ a's finest writers is the epic of one man's… mais…

Random House. Good. 5.94 x 9.13 x 1.22 inches. Paperback. 2006. 422 pages. Text tanned<br>This magnificent novel by one of Americ a's finest writers is the epic of one man's remarkable journey, s et in nineteenth-century America against the background of a vani shing people and a rich way of life. At the age of twelve, under the Wind moon, Will is given a horse, a key, and a map, and sent alone into the Indian Nation to run a trading post as a bound bo y. It is during this time that he grows into a man, learning, as he does, of the raw power it takes to create a life, to find a ho me. In a card game with a white Indian named Featherstone, Will w ins - for a brief moment - a mysterious girl named Claire, and hi s passion and desire for her spans this novel. As Will's destiny intertwines with the fate of the Cherokee Indians - including a C herokee Chief named Bear - he learns how to fight and survive in the face of both nature and men, and eventually, under the Corn T assel Moon, Will begins the fight against Washington City to pres erve the Cherokee's homeland and culture. And he will come to kno w the truth behind his belief that only desire trumps time. Bri lliantly imagined, written with great power and beauty by a maste r of American fiction, Thirteen Moons is a stunning novel about a man's passion for a woman, and how loss, longing and love can sh ape a man's destiny over the many moons of a life. From the Hard cover edition. Editorial Reviews From Bookmarks Magazine Critic s voiced great expectations for Thirteen Moons, coming nearly ten years after Charles Frazier's National Book Award-winning Cold M ountain (1997). Unfortunately, this second novel fails to achieve the same uniform critical acclaim. Certainly, similarities betwe en the two books abound, including a deep appreciation for the So uthern Appalachian landscape, a protagonist embarking on a life-d efining odyssey, an elegiac tone, and swatches of excellent prose . Here, Frazier frames Will's story against America's transition from a frontier society into an industrial nation. Despite some p raise, reviewers generally agree that Thirteen Moons is an airier production (New York Times), with perhaps more clichés, less con vincing characterizations and relationships, and a less wieldy pl ot. What critics do agree on, however, is the excellent period de tail and research that makes Frazier a first-rate chronicler of A merican history. Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to an out of print or unavailable edition of t his title. From Publishers Weekly Starred Review. Once in a grea t while, all of the elements of an audio book come together to cr eate a near-perfect experience for the listener. Frazier's follow -up to his 1997 National Book Award-winner, Cold Mountain, is ano ther saga of enduring love. It's no small gift to work with great material, and Patton transforms the text into a tale that sounds as if it were meant to be read aloud. It's a story to be told by the fire over the course of a long winter, just as the narrator Will Cooper and his adoptive Cherokee father, Bear, swap yarns wh ile they are hunkered down until the end of the snow season. Patt on's voice has an unidentifiable Southern lilt, which nicely fits a novel vaguely set in the Southern Appalachian Mountains. Patto n makes the correct choice not to individualize each character's voice as this is so much Cooper's tale. Bluegrass melodies played by Ryan Scott and Christina Courtin enhance the production. The CDs have been thoughtfully designed, with the numbers circling ea ch disc like a moon. This attention to detail makes for a beautif ul production of a love story that listeners will not put down an d will want to replay. Copyright © American Library Association. All rights reserved --This text refers to an out of print or una vailable edition of this title. From Booklist In one of the most anticipated novels of the current publishing season, Frazier, au thor of the widely applauded Cold Mountain (1997), remains true t o the historical fiction vein. The author's second outing finds g rounding in a timeless theme: a grand old man remembering his glo ry days. As a teenager during the James Monroe administration, Wi ll Cooper is sent off, in an indentured situation, into the wilde rness of the Indian Nation to run a trading post. From a mixed-ra ce Indian, he wins a girl with whom he will be besotted for the r est of his life, and his passion will extend into personal involv ement in Indian affairs, to the highest level of politics. Thus F razier also remains faithful to the theme of his previous novel: the odyssey, especially one man's path through trials and tribula tions to be by the side of the woman he loves. And he remains fai thful to a method that marked Cold Mountain in readers' memories: a proliferation of detail about customs and costumes, about food and recreation--pretty much what everything looked and smelled l ike. Unfortunately, for the first fourth of the book, there is to o much detail for the plot to easily bear. But, finally, the char acters are able to step out from behind this blanket of particula rs and incidentals and make the story work. Expect considerable d emand, of course. Brad Hooper Copyright © American Library Associ ation. All rights reserved --This text refers to an out of print or unavailable edition of this title. Review Gorgeous...Thirteen Moons calls Cold Mountain to mind in its wonder at the natural w orld; its pacificist undercurrents; its dismay at the dismantling of what matters, and its convication that one love, no matter ho w tortured and inexplicable, can be life-defining...fascinating.. .vivid and alive. -Newsweek Thirteen Moons brings this vanished world thrillingly to life... One of the great Native American, an d American stories, and a great gift to all of us, from one of ou r very best writers. -Kirkus Reviews, starred review There are t hings so masterful words can't do them justice. Frazier's writing falls in that category...With Thirteen Moons, he's doing importa nt work filling in the gaps, helping restore the roots, of our kn owledge of our own history. -Asheville Citizen-Times Fascinatin g...Reading Thirteen Moons is an intoxicating experience...This i s 21st-century literary fiction at its very best. -BookPage Thi rteen Moons is rare in many ways and occupies a literary plane of such height that reviewing it is not really salient....Thirteen Moons has the power to inspire great performances from succeeding generations of writers....For those who simply value the literar y experience, Thirteen Moons will provide the immense satisfactio n of taking a literary journey of magnitude. Whether on a plane, in an office or curled in a window seat, readers who absorb Will' s story will find their own lives enriched....Thirteen Moons belo ngs to the ages. -Los Angeles Times Magical...the history lesson in Thirteen Moons is fascinating and moving...You will find much to admire and savor in Thirteen Moons. -USA Today Verdict: A po werhouse second act....a brilliant success...Frazier's second act should convince everyone that he's here to stay. It is a powerfu l, dramatic, often surprising and memorable novel. -Atlanta Journ al Constitution Thirteen Moons is a boisterous, confident novel that draws from the epic tradition... Frazier is a natural storyt eller, and throughout his picaresque tale are grand themes and eu logies -Boston Globe Warm hearted...Frazier is a remarkably meti culous and tasteful writer...Thirteen Moons is a worthy successor to the first novel and a highly readable book. -Seattle Times T o Charles Frazier, words are playthings. Like very few other cont emporary American novelists, he puts them together in such a way that they can transform an otherwise mundane moment, scene or con versation into one that is transcendent....No sophomore jinx here . Reading a Frazier novel is like listening to a fine symphony. H e's a maestro whose pen is his baton, beckoning the best that eac h sentence has to offer. And just as you wouldn't rush a conducto r, you should take the time to savor Frazier's work, to take in e ach thought, to relish the turn of phrase or the imagery of a cra ftsman. -Denver Post Two for two...Here is a book brimming with vivid, adventurous incident...Charles Frazier set himself a daunt ing challenge with this book. He set out to write a historical no vel that was retrospective and meditative, yet still vibrant and immediate with life. Thirteen Moons succeeds in classy fashion. - Raleigh News & Observer If current fiction is anything to go by, it's hard for a novelist to make Santayana's puzzle pieces - lyr icism, comedy, tragedy - fit together, as they do in real life an d real history. Frazier has done it...Thirteen Moons makes you fe el that change that happened so long before our own time, and mak es you mourn it. -Newsday Thirteen Moons is a fitting successor to Cold Mountain...fans of Frazier's debut will be cheered to dis cover that the new book is another compulsively readable work of historical fiction. -St. Louis Post-Dispatch If there is any dou bt that Frazier is an incredibly gifted storyteller - and not jus t a lucky name or a one-hit wonder - it will be put to rest with the publication of Thirteen Moons. Within 10 pages, this long-awa ited new novel bears the reader swiftly out of the waking world i nto its own imagined universe like nothing else published this ye ar. -Minneapolis Star Tribune Forget the sophomore jinx. Frazier demonstrates that Cold Mountain was no one-hit wonder with this fully realized historical novel again set in the South....Again, Frazier shows himself a master of landscape and language, both of ten fresh and surprising in his telling. -Seattle Post-Intelligen cer Thirteen Moons contains achingly beautiful passages of snowf alls, fog-wrapped rivers and moonlit forests. There are ribald an d hilarious events, too, including a description of the Cherokee Booger Dance that is a masterpiece of satire. The love affair bet ween Cooper and Claire threads its way through this pseudo-histor ic epic like a brilliant, scarlet ribbon. There is also a melanch oly refrain that celebrates a wondrous time and place that is gon e and will never return. -Smoky Mountain News Fiction of the hig hest order...Another indelible character. Charles Frazier has a k nack for them. -Charlotte Observer What a story!... Frazier's cr eation, Will Cooper, is utterly charismatic....Frazier's genius l ies in his ability to convey emotions that feel pure and genuine. ..It was worth the wait. -Dayton Daily News From the Hardcover e dition. --This text refers to an out of print or unavailable edit ion of this title. About the Author Charles Frazier grew up in t he mountains of North Carolina. Cold Mountain, his highly acclaim ed first novel, was an international bestseller, and won the Nati onal Book Award in 1997. --This text refers to an out of print or unavailable edition of this title. From The Washington Post Cha rles Frazier is an intelligent, occasionally witty author who wri tes incredibly long-winded, sentimental, soporific novels. His fi rst, Cold Mountain, published nine years ago, was the most unlike ly bestseller since Oldest Living Confederate Widow Tells All (19 89), by his fellow North Carolinian Allan Gurganus, and the most improbable National Book Award winner since John O'Hara's Ten Nor th Frederick half a century ago. Now Frazier weighs in with Thirt een Moons, which manages to be even longer and even duller than C old Mountain. No doubt it too will be a huge bestseller. That F razier's success parallels Gurganus's is purely coincidental, but it's just about impossible not to remark upon the oddness of the coincidence. As a rule, the American book-buying public has only a limited appetite for Southern-fried fiction, yet Frazier and G urganus somehow have tapped into it. They deal (Frazier somewhat more skillfully than Gurganus) in what a North Carolina newspaper editor of my long-ago acquaintance used to call shucks-'n'-nubbi ns, which is loosely defined as tiny ears of corn. Frazier's corn is anything but tiny -- more than 400 pages of it in the case of Thirteen Moons -- but it's corn all the same. Reading Frazier is like sitting by the cracker barrel for hour after hour and lis tening to an amiable but impossibly gassy guy who talks real slow , says I reckon a whole lot and never shuts up. His novels have l ittle structure and not much in the way of plot; in Cold Mountain he gave us the wounded Confederate soldier, Inman, limping his w ay back to his gal, Ada, in the North Carolina mountains, and in Thirteen Moons it's the ancient Will Cooper reminiscing about his nine decades and his Cherokee buddies and the gal, Claire, whom he managed to love and lose. He is a far less interesting man tha n Frazier obviously believes him to be, which is a little surpris ing because he's based on a very interesting historical figure. Will Cooper is not William Holland Thomas, Frazier says in an au thor's note, and then coyly adds, though they do share some DNA. Actually, they share a whole lot. William Holland Thomas was born in North Carolina in 1805, was almost immediately orphaned, work ed as a boy in a general store in the mountains, taught himself t he law, worked to secure the right of the Cherokees to remain in their territory as Andrew Jackson sought to drive all Indians wes tward, served in the state senate and organized a company of Cher okee soldiers on behalf of the Confederacy. All of which is exact ly what Will Cooper does in Thirteen Moons; where fact and fictio n part is that Thomas married and had children while Cooper remai ns single, and Thomas's mental condition gradually deteriorated a fter the Civil War while Cooper remains alert, if rather tired, t o the novel's end. In other words, in Thirteen Moons Frazier es sentially has fictionalized history. Nothing wrong with that: hap pens all the time. But the novel provides less imagination and in vention than readers are likely to expect; it reads more like a d utifully researched (check out that author's note) graduate schoo l paper than a work of fiction. It also is chock-a-block with hom espun aphorisms that aren't exactly full of original wisdom: One of the few welcome lessons age teaches is that only desire trumps time, and Grief is a haunting, and Writers can tell any lie that leaps into their heads, and Our worst pain is confined within ou r own skin, and We are not made strong enough to stand up against endle, Random House, 2006, 2.5, SOFTBACK SHIPPED FROM THE UK.* Edition: 1st. Thus.* Impression: 1st. Full number line* Date of Publication: 2002* Publisher: Corgi* Binding and cover condition: Illustrated. Photo-illustrated soft stiff card covers. No bumps or rubs. Absolutely minimal shelf wear to edges & corners. Minor creases to spine (at photo-blocks) but not to hinge. Seems very lightly used. VG++* Contents condition: PRIVATE COPY NOT EX-LIBRARY. Clean, crisp, tight & bright. No annotations, inscriptions or marks to text, minimal colouration to page edges. VG++* Illustrations: 2 x 16 pp. blocks of colour photos within text.* Pages: 284 pp. text. iv pp. photo-list & blank pages at rear.* Product Description:- This is the story of Tim Smit?s dedication to his major ecological project to transform a disused industrial site into an ecological development centre with a primary aim of introducing the public to the important business of preventing our world wide eco-system from being destroyed. The project has become one of the most important tourist attractions in the South West of England and continues to be expanded and improved.* This is a NEAR FINE copy of the 1st./1st. with minimal ageing and shelf wear reducing it to VG++*, Chartered Institute of Personnel and Development, 2005-10-01, 3, London: The Institute of Navigation. Good/No DJ. 1965. First Edition. Card Cover. Card cover with red titles to front and spine. Previous owner's ink markings to spine. 389 pages clean and tightly bound. VOL. 18, NO. 3 JULY 1965 Visual Factors in Aircraft Navigation 257 E. HEAP Estimating Safe Separation Standards for Air Traffic 285 K. H. TREWEEK The Design of Ships' Bridges 297 A DISCUSSION The Distribution of Aircraft Track-keeping Errors 312 M. R. ABBOTT Loran-Inertial Navigation Systems for Long-Range Use 319 L. E. DE GROOT Radar Design in Relation to Human Performance 330 H. C. FREIESLEBEN Ice and its Effect on Navigation in the Baltic Sea 336 C. J. WENNINK A Radar Computer for the Closest Point of Approach 355 P. G. TARNOWSKI The Economics of Automation 366 A DISCUSSION FORUM Interpretation and Behaviour in using Radar at Sea 383 D.- A. DAVIES Reviews 385 ., The Institute of Navigation, 1965, 2.5, Shire Publications Ltd. Very Good. 1997. Third Edition. Soft Card Cover. 8vo 0852639627 56 pages clear and tight. Stone circles have excited the imagination of their visitors ever since the time of John Aubrey, the seventeenth-century antiquarian who was the first person to study them seriously. For three hundred years archaeologists, astronomers and anthropologists have argued about the purpose of these abandoned rings. In recent years the accurate surveys made of many sites have revealed that these were not roughly laid-out rings. To the contrary, the monuments were elegantly designed by people who took great care over the planning of these ritual centres. Modern excavations have shown that the earliest circles were erected over five thousand years ago and that often sightlines were built into them towards the sun or moon. Whether in northern Scotland, western Ireland, Wales or southern England, a picture appears of widely dispersed communities constructing great rings for their ceremonies, frequently burying burnt human bone inside them. Prehistoric Stone Circles describes these rings, including Stonehenge, explains their history and the facts known about them, and shows how we are gradually coming to an understanding of the significance these gaunt, grey circles had to their builders. ., Shire Publications Ltd, 1997, 3, London: The Institute of Navigation. Good/No DJ. 1964. First Edition. Card Cover. Card cover with red titles to front and spine. Previous owner's ink markings to spine. 472 pages clean and tightly bound. VOL. 17, NO. 4 OCTOBER 1964 The Effect of Observational Errors on the Avoidance of Collision at Sea 345 S. H .HOLLINGDALE A Manoeuvre Criterion 358 J. B. .PARKER Winter Navigation through the Strait of Belle . Isle 364 .R. E. G. SIMMONS The Safety and Reliability of Sea and. Air Transport-II 376 Prescribed Courses for the Navigation of the Great Lakes of North Airierica O. T. ;BURNHAM AND C:. M. JANSKY, J'R Routing' n the North Sea 385 E. SOHNKE An All-Weather Navigational Aid for the: Dover .Strait 390 A. L. P. MILWRIGHT The .Bordeaux Port Radar 399 A. GIRARDIN Human Factors in Bridge and Chartroom Design 405 P L,, WALRAVEN AND A. I.AZ.ET. The Automation of Merchant Ships 407 A. WEPSTER Target Tracking by PPi Display or by Automatic Computer 414 L. GERARDIN The Application of Hertzian Radiometry for Measuring the 418 Temperature of the Atmosphere G. BROUSSAUD AND P. FOMBONNE The Minimum Navigational Equipment for Supersonic Transport 426 J. HARDOUIN Conflict Detection and Resolution in Air Traffic Control 433 B. W. OAKLEY The Presentation of High Ground Information 448 T. FREER The Initial Descent Problem 55 E. SMITH FORUM A Note on the. Kamal G.. R. TAYLOR Radar Practice in Fairly Dense Traffic 460 P. CLISSOLD Reviews 463 ., The Institute of Navigation, 1964, 2.5, The Royal Institute of Navigation.. Very Good. 1983. Card Cover. 8vo The Province of the Institute M. W. RICHEY Human Aspects of Integrated Navigation in the Air V. DAVID HOPKIN Aircraft Separation Assurance: Systems Design PETER BROOKER The Role of Advanced Navigation in Future Air Traffic Management R. C. RAWLINGS Possible Improvements in Meteorology for Aircraft Navigation M. BISIAUX, M. E. Cox, D. A. FORRESTER AND J. T. STOREY Self-adaptive Filters for the Integration of Navigation Data J. P. ABBOTT AND C. R. GENT The Impact of Filtering on Sea and Air Operations M. G. PEARSON The 'Manav' Integrated Navigation System 1. C. MILLAR AND R. F. HANSFORD The Admiralty Chart - VI HYDROGRAPHIC DEPARTMENT The Work of the International Hydrographic Organisation G. S. RITCHIE The Still Undiscovered Origin of Portolan Charts H. C. FREIESLEBEN The Estimation of the Mean Size of Ship Domains W. G. P. LAMB Rotations in Navigation E. W. ANDERSON FORUM A new concept for Vertical Separation Review Record ., The Royal Institute of Navigation., 1983, 3, Human Rights Research Publication, Caulfield, 1963. First Edition. Softcover. Good Condition. editorial preface, introduction by author. Plain card cover with black and white coloured titles to the front panel and black coloured titles to the backstrip."This survey is designed to demonstrate that Jews in the USSR are denied the same rights as other Soviet nationalities and religious denominations; that as a group, Soviet Jews are discriminated against in certain areas of Soviet society, and that the general image of the Jew is being blackened by the projection of anti-Semitic stereotypes throughout the Soviet mass media." --from the introduction page 11. Creasing to the book corners with rubbing of the book edges and panels. Sunning to the book panels and there is a small abrasion mark to the top edge of the front panel – commensurate with removal of a sticker. Light browning and foxing to the textblock edges and browning to the pages. Size: 8vo - over 7¾" - 9¾" tall. 78, [2] pages,. Please refer to accompanying picture (s). Quantity Available: 1. Category: Politics & Government; Judaica; Russia; Sociology & Culture. Inventory No: 0117297. ., Human Rights Research Publication, 1963, 2.5, New York: G. P. Putnam's Sons, 2004. 1st Edition. Hardcover_card stock spine. Very Good-Collectible/Good. 6.25"x9.25"; 338 pages; first printing w/full number line; purple boards w/metallic initials on cover, navy cloth spine w/purple metallic letters; Jacket design by Richard Hasselberger; Jacket photo c 2004 tony Greco & Associates, Inc. photo of author by John Earle. Spine straight, binding tight, pages clean and bright. Not x-library, unclipped, & unmarked. Edge & shelf wear to DJ. Edge wear to book. NY Police Lieutenant Eve Dallas is sent to Central Park to investigate a homicide that begins a hunt for a seriel killer. A brand-new novel in the number-one "New York Times"- bestselling "In Death" series set in 2059 New York City. As technology and humanity collide, Detective Eve Dallas searches the darkest corners of Manhattan for an elusive killer with a passion for collecting souls... On one of the city's hottest nights, New York Police Lieutenant Eve Dallas is sent to Central Park-and into a hellish new investigation. The victim is found on the rocks, just above the still, dark water of the lake. Around her neck is a single red ribbon. Her hands are posed, as if in prayer. But it is the eyes- removed with such precision, as if done with the careful hands of a surgeon-that have Dallas most alarmed. As more bodies turn up, each with the same defining scars, Eve is frantic for answers. Again... Source: Publisher., G. P. Putnam's Sons, 2004, 2.75, SOFTBACK SHIPPED FROM THE UK.* Edition: 1st. Thus.* Impression: 4th.* Date of Publication: 2003* Publisher: Gollancz Science Fiction.* Binding and cover condition: Colour-illustrated soft card covers showing space craft in orbit. No bumps or rubs. Very slight shelf wear to edges & corners. Creases to spine & covers. Seems carefully used. VG* Contents condition: PRIVATE COPY NOT EX-LIBRARY. Clean, crisp, tight & bright. No annotations, inscriptions or marks to text, no tanning or other visible faults. Very slight colouration to page edges. VG* Illustrations: Colour b/w photo-illustrations, line drawings and diagrams within text throughout. None. * Pages: 646 pp. text. vi pp. blank pages at rear.* Product Description:- The Inhibitors are back and Humanity is doomed! Many, many millennia ago, the Inhibitors seeded the universe with machines designed to detect intelligent life - and then to suppress it. But after hundreds of millions of years, the machines started to fail and intelligent cultures started to emerge. Then Dr Dan Sylveste and the crew of Infinity discovered what had happened to the long-vanished Amarantin race . . . and awakened the Inhibitors.* This is a VG copy of the 1st./4th. with some shelf wear.*, Gollancz, 2003-05-08, 3, UK,12mo wraps,no dw/dj,as issued,p/back 1st edn.[Paperback original denotes the first format and its first appearance in print of the book/ title.Paperbacks usually follow on from the HB edn, but can be published at the same time as the HB edn,but p/back originals are published prior to any other format.] VG.No owner inscrptn and no price removal to cover.Lightly grubbed colour pictorial card covers with some creasing,some scoring/rubbing to rear cover and negligible shelf-wear to edges and corners.A 1" split/ closed tear at foot of rear spine/backstrip's gutter's edge - no other nicks or tears present - reading creases to spine/backstrip.Top edges darkened,fore-edges brighter but still sporadically foxed/spotted; contents tight,solid and sound with inevitable page-edge toning etc, - no intentional dog-ear reading creases to any pages' corners.UK, 12mo wraps,p/back original,1st edn,2- 647pp [paginated] includes A-Z listings,with b/w drawings by Wolf Spoerl interspersed throughout the text; plus [unpaginated] blank,half-title+title pages,foreword with note for use to recto,a glossary of symbols and abbreviations,publisher's advert for Penguin Dictionary to recto of last page,and 2pp blanks. Designed for quick and frequent reference an encyclopedia of useful knowledge,so deliberately compressed.Specifically excluded are dictionary definitions,obvious and banal information and further space saved by treatment of biographical and geographical entries.To complement this volume a gazetteer and a dictionary of biography to be published later. Includes the fields of science, technology and research in which great strides have been made in recent years (then 1965!) and specialists of the younger generation - from universities,the professions and industry - have contributed individual articles.Similarly dealt are the arts and humanities. Please contact rpaxtonden@blueyonder.co.uk, for correct shipping/P+p quotes - particularly ALL overseas buyers - BEFORE ordering through the order page! ** N.B. ALL buyers please note,stocks' actual shipping/P+p costs are adjusted and any difference is refunded,after order's receipt and before the order's despatch,especially if the item(s) are offered either P+p included/FREE. ** N.B. US/Canada customers please be aware: Standard AIRMAIL postage from UK to these destinations can now cost more than the price of the book! If speed is not of the essence,then Economy rate is recommended - at approx. anything from a 1/3rd to 1/2 of the standard AIR quote/rate - sometimes arriving sooner than the 42 days - but not always., UK.HARMONDSWORTH,MIDDLESEX.PENGUIN BOOKS LTD.,1965., 3, Philadelphia: Westminster Press, 1966. Oversized hardcover with price clipped dust jacket, later printing, 127 pages including many black-and-white illustrations; gently used ex-library copy with numerous rubber stamps (including some in page margins), light residue from library mylar protector, card pocket secured to back free endpaper, but tight in binding with only very light shelf wear, text clean and unmarked except for a few underlinings on about ten pages; DJ has spine label, gently bumped, several immeasurably tiny tears, but very bright, clean and attractive in removable protector. See also our listing for Peter Brieger's Art and Man Set of 3 Books: Ancient and Mediavel, Renaissance and Baroque, The Modern World.. First Edition. Hard Cover. Good/Very Good., Westminster Press, 1966, 2.75, Knopf. Very Good. 6.68 x 1.38 x 9.58 inches. Hardcover. 2014. First edition. 416 pages. <br>Pub Date: 2014-05-13 Pages: 416 Language: English Publisher: Knopf Doubleday Publishing ... The author of the best- selling Harry Hole series now gives us an electrifying stand-alon e novel set inside Oslo & rsquo; s maze of especially venal . hig h-level corruption Sonny Lofthus is a strangely charismatic and c omplacent young man Sonny & rsquo;.... s been in prison for a doz en years. nearly half his life The inmates who seek out his uncan ny abilities to soothe leave his cell feeling absolved They don & rsquo; t know or care that Sonny has a serious heroin habit & md ash; or where or how he gets his uninterrupted supply of the drug Or that he & rsquo;. s serving time for other peoples & rsquo;. crimes Sonny took the first steps toward addiction when his fathe r took his own life rather than face exposure as a corrupt cop No w Sonny is the seemingly malleable center of a whole infr... Edi torial Reviews From Booklist *Starred Review* On the surface, Ne sbø's gripping new stand-alone might seem like another installmen t of the Harry Hole series but featuring a new cast of characters . A serial killer is at work in Oslo, and a maverick cop with his share of personal demons is on his trail. But beneath that surfa ce, there is a complex psychological thriller churning its way in to the reader's nightmares. Sonny Lofthus is in prison for crimes he didn't commit but for which he has agreed to take the fall--i n exchange for an unending supply of heroin. The drugs are Sonny' s way of dealing with the knowledge that his father, an apparent suicide, was a dirty cop. As the novel begins, however, Sonny has new information about his father's death and has engineered a da ring escape from prison. His revenge-fueled plan is to kill those responsible for the crimes he was convicted of by re-creating th e murders with the real killers now the victims. The more we lear n about Sonny, the more we root for him to evade capture, either by the police or by the crime lord who wants him dead. Juggling p oint of view between Sonny, Simon Kefas (the cop chasing him), an d the various corrupt officials who risk exposure the longer Sonn y is free, Nesbø thwarts our every attempt to draw conclusions ab out both what happened in the past and who is the least guilty am ong the principals. There is an element of the classic film noir Breathless at work here but with more characters of varying shade s of gray whose fates hinge on numerous moving parts. A terrific thriller but also a tragic, very moving story of intertwined char acters swerving desperately to avoid the dead ends in their paths . HIGH-DEMAND BACKSTORY: With 24 million copies of his books sold , Nesbø is now second only to Stieg Larsson among Scandinavian cr ime writers. His fame is sure to grow still more as Martin Scorse se and Leonardo DiCaprio are about to begin filming The Snowman. --Bill Ott Review A deftly plotted novel that probes the deepest mysteries: sin, redemption, love, evil, the human condition. . . . One of Nesb's best, deepest and richest novels. --Kirkus Revie ws (starred review) Excellent . . . Nesb takes the reader on a c hilling ride with many unexpected twists. --Publishers Weekly (st arred review) The standard bearer for the phenomenon that is Sca ndinavian crime fiction. . . . Fast-paced and imaginatively viole nt, this latest example of Nesbo's Nordic noir hurtles like an ex press train towards a last act of almost operatic extravagance th at leaves dead bodies and carefully nurtured reputations litterin g the stage. Great stuff altogether. --Independent (Ireland) [Ne sb is] one of the current leading lights in Scandinavian crime fi ction . . . Ridiculously talented . . . with his clear gift for h airpin twists and turns. . . . The thriller is so tightly plotted that it will keep readers steadfastly glued to their seat. . . . What Nesb has crafted is not a whodunit in the traditional sense , as the writer is interested in the far more fascinating questio n of what can drive a person to evil? --Daily Style (Australia) Scandinavian Reviews Nesb's new book makes all the hype before p ublication seem like false modesty, and is quite simply a fantast ic piece of crime literature. . . . First and foremost, this is a clever, enthralling and driven story that is impossible to put d own. --Dagens Nringsliv (Norway) Yet another powerful demonstrat ion of Nesb's talent for creating a story that plays on all nerve strands and with so much intensity that it embodies both the Bib le and Batman at once. It is really well done. It is still early in the year, but I wouldn't be surprised if someone should dub Th e Son as the crime novel of the year. --Ekstra Bladet (Denmark) The pace proves to be on top in the new book, in a positive sense . This remains Norwegian crime literature in a class by itself. A plot that stretches and spreads out like great mathematical form ulas, with many unfamiliar characters in the equation, but withou t being arcane or excessive in his fantastic interpretations. . . . Jo Nesb prevails once again. --Dagsavisen (Norway) The Son is a modern take on the story about Christ, that tackles the corrup tion in Oslo. . . . Jo Nesb's writing is incredible as usual. --J yllands-Posten (Denmark) Tremendously well written by Nesb. . . . There is something unstoppably vital about Jo Nesb as a designe r of crime stories in the baroque style. His pen is on fire and a lthough it may be noted that it goes too fast sometimes linguisti cally, the stories he creates has so many staggering twists and t urns that it is almost physically impossible not to get hooked. - -Aftenposten (Norway) Crime novels are rarely so skillfully told and at the same time so much more than pure entertainment. But N esb is a master. --Berlingske (Denmark) No Norwegian crime write r can create such complex crime plots without losing in detail li ke Nesb can. You might say that Nesb is both high and low in his texts, and that is one of the main reasons why his novels rise ab ove most others in this genre. --Dagbladet (Norway) It is a form idable, diabolically clever and devilishly good book that is well put together, down to the smallest detail. --Nordjyske Stiftstid ene (Denmark) The story . . . is propelled with great force and an unerring sense of detail. . . . It is simply thrilling to read . --NRK (Norway) Fast-paced and rip-roaring suspenseful. --Polit iken (Denmark) No one at our latitudes knows the game like Nesb does. No one is even close to his craftsmanship in writing crime novels that hold such international standard. --Adresseavisen (No rway) A high level of suspense all the way and limitless brutali ty. The bad guys get what they deserves and Nesb's writing is alm ost more cynical and concrete than usual. There are also a few lo ve stories along the way, that--almost--end happily. --Lolland-Fa lsters Folketidende (Denmark) About the Author JO NESB is a musi cian, songwriter, and economist, as well as a writer. His Harry H ole novels include The Redeemer, The Snowman, The Leopard, and Ph antom, and he is also the author of several stand-alone novels an d the Doctor Proctor series of children's books. He is the recipi ent of numerous awards including the Glass Key for best Nordic cr ime novel. Excerpt. Reprinted by permission. All rights reserve d. 1 Rover kept his eyes on the white-painted concrete floor in the eleven-square-metre prison cell. He bit down on the slightly too long gold front tooth in his lower jaw. He had reached the ha rdest part of his confession. The only sound in the cell was his nails scratching the madonna tattoo on his forearm. The boy sitti ng cross-legged on the bed opposite him had remained silent ever since Rover had entered. He had merely nodded and smiled his blis sful Buddha smile, his gaze fixed at a point on Rover's forehead. People called the boy Sonny and said that he had killed two peop le as a teenager, that his father had been a corrupt police offic er and that Sonny had healing hands. It was hard to see if the bo y was listening--his green eyes and most of his face were hidden behind his long, matted hair--but that didn't matter. Rover just wanted his sins forgiven and to receive Sonny's distinctive bless ing so that tomorrow he could walk out of Staten Maximum Security Prison with the feeling of being a truly cleansed man. Not that Rover was religious, but it could do no harm when he intended to change, to give going straight a real try. Rover took a deep brea th. I think she was from Belarus. Minsk is in Belarus, isn't it? Rover looked up quickly, but the boy made no reply. Nestor had n icknamed her Minsk, Rover said. He told me to shoot her. The obv ious advantage of confessing to someone whose brain was fried was that no name and incident would stick; it was like talking to yo urself. This might explain why inmates at Staten preferred this g uy to the chaplain or the psychologist. Nestor kept her and eigh t other girls in a cage down in Enerhaugen. East Europeans and As ians. Young. Teenagers. At least I hope they were as old as that. But Minsk was older. Stronger. She escaped. Got as far as Tyen P ark before Nestor's dog caught her. One of those Argentine mastif fs--know what I'm talking about? The boy's eyes never moved, but he raised his hand. Found his beard. He started to comb it slowl y with his fingers. The sleeve of his filthy, oversized shirt sli pped down and revealed scabs and needle marks. Rover went on. Bl oody big albino dogs. Kills anything its owner points at. And qui te a lot he doesn't. Banned in Norway, 'course. A guy out in Rlen gen got some from the Czech Republic, breeds them and registers t hem as white boxers. Me and Nestor went there to buy one when it was a pup. It cost more than fifty grand in cash. The puppy was s o cute you wouldn't ever think it . . . Rover stopped. He knew he was only talking about the dog to put off the inevitable. Anyway . . . Anyway. Rover looked at the tattoo on his other forearm. A cathedral with two spires. One for each sentence he had served, neither of which had anything to do with today's confession. He used to supply guns to a biker gang and modify some of them in hi s workshop. He was good at it. Too good. So good that he couldn't remain below the radar forever and he was caught. And so good th at, while serving his first sentence, Nestor had taken him under his wing. Nestor had made sure he owned him so that from then on only Nestor would get his hands on the best guns, rather than the biker gang or any other rivals. He had paid him more for a few m onths' work than Rover could ever hope to earn in a lifetime in h is workshop fixing motorbikes. But Nestor had demanded a lot in r eturn. Too much. She was lying in the bushes, blood everywhere. She just lay there, dead still, staring up at us. The dog had tak en a chunk out of her face--you could see straight to the teeth. Rover grimaced. Get to the point. Nestor said it was time to teac h them a lesson, show the other girls what would happen to them. And that Minsk was worthless to him now anyway, given the state o f her face . . . Rover swallowed. So he told me to do it. Finish her off. That's how I'd prove my loyalty, you see. I had an old R uger MK II pistol that I'd done some work on. And I was going to do it. I really was. That wasn't the problem . . . Rover felt hi s throat tighten. He had thought about it so often, gone over tho se seconds during that night in Tyen Park, seeing the girl over a nd over again. Nestor and himself taking the leading roles with t he others as silent witnesses. Even the dog had been silent. He h ad thought about it perhaps a hundred times. A thousand? And yet it wasn't until now, when he said the words out loud for the firs t time, that he realised that it hadn't been a dream, that it rea lly had happened. Or rather it was as if his body hadn't accepted it until now. That was why his stomach was churning. Rover breat hed deeply through his nose to quell the nausea. But I couldn't do it. Even though I knew she was gonna die. They had the dog at the ready and I was thinking that me, I'd have preferred a bullet . But it was as if the trigger was locked in position. I just cou ldn't pull it. The young man seemed to be nodding faintly. Eithe r in response to what Rover was telling him or to music only he c ould hear. Nestor said we didn't have all day, we were in a publ ic park after all. So he took out a small, curved knife from a le g holster, stepped forward, grabbed her by the hair, pulled her u p and just seemed to swing the knife in front of her throat. As i f gutting a fish. Blood spurted out three, four times, then she w as empty. But d'you know what I remember most of all? The dog. Ho w it started howling at the sight of all that blood. Rover leane d forward in the chair with his elbows on his knees. He covered h is ears with his hands and rocked back and forth. And I did noth ing. I just stood there, looking on. I did fuck all. While they w rapped her in a blanket and carried her to the car, I just watche d. We drove her to the woods, to stmarksetra. Lifted her out and rolled her down the slope towards Ulsrudsvannet. Lots of people t ake their dogs for walks there so she was found the next day. The point was, Nestor wanted her to be found, d'you get me? He wante d pictures in the papers of what had happened to her. So he could show them to the other girls. Rover removed his hands from his ears. I stopped sleeping; every time I closed my eyes I had nigh tmares. The girl with the missing cheek smiled at me and bared al l her teeth. So I went to see Nestor and told him I wanted out. S aid I'd had enough of filing down Uzis and Glocks, that I wanted to go back to fixing motorbikes. Live a quiet life, not worry abo ut the cops the whole time. Nestor said that was OK, he'd probabl y sussed that I didn't have it in me to be a tough guy. But he ma de it very clear what would happen to me if I talked. I thought w e were sorted. I turned down every job I was offered even though I still had some decent Uzis lying around. But I kept thinking th at something was brewing. That I would be bumped off. So I was al most relieved when the cops came and I got put away. I thought I' d be safer in prison. They got me on an old case--I was only an a ccessory, but they had arrested two guys who both said that I had supplied them with weapons. I confessed to it on the spot. Rove r laughed hard. He started to cough. He leaned back in his chair. In, Knopf, 2014, 3, Berkeley, Ca, U.s.a.: Image Comics, 2016-07. New. 2018 Eisner Award winner, Best Writer2018 Eisner Award winner, Best Painter/Multimedia Artist2018 Eisner Award winner, Best Continuing Series2018 Eisner Award winner, Best Publication for Teens2018 Eisner Award winner, Best Cover Artist2018 Harvey Award winner, Book of the Year2018 Hugo Award winner, Best Graphic Story2018 British Fantasy Award winner, Best Comic/Graphic Novel2018, 2016, 2015 Entertainment Weekly's The Best Comic Books of the Year2018, Newsweek's Best Comic Books of the Year2018, The Washington Post's 10 Best Graphic Novels of the Year2018, Barnes & Noble's Best Books of the Year2018, YALSA's Great Graphic Novels for Teens2018, Thrillist's Best Comics & Graphic Novels of the Year2018, Powell's Best Science-Fiction, Fantasy, Horror, and Graphic Novels of the YearSet in an alternate matriarchal 1900's Asia, in a richly imagined world of art deco-inflected steam punk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both and make them the target of both human and otherworldly powersAbout the Creators:New York Times bestselling and award-winning writer Marjorie Liu is best known for her fiction and comic books She teaches comic book writing at MIT, and leads a class on Popular Fiction at the Voices of Our Nation (VONA) workshop Ms Liu's extensive work includes the bestselling "Astonishing X-Men" for Marvel Comics, which featured the gay wedding of X-Man Northstar and was subsequently nominated for a GLAAD Media Award for outstanding media images of the lesbian, gay, bisexual and transgender community Prior to writing full-time, Liu was a lawyer She currently resides in BostonSana Takeda is an illustrator and comic book artist who was born in Niigata, and now resides in Tokyo, Japan At age 20 she started out as a 3D CGI designer for SEGA, a Japanese video game company, and became a freelance artist when she was 25 She is still an artist, and has worked on titles such as "X-23" and "Ms Marvel" for Marvel Comics, and is an illustrator for trading card games in Japan, Image Comics, 2016-07, 6, New York: Basic Books, Scrantan, Pennsyl. Good with no dust jacket. 1984. Soft cover. 0465026982 . Pictorial card covers, lightly shelf worn. Corners slightly curled. Solid binding, clean pages except for owner name stamp inside front cover. ., Basic Books, Scrantan, Pennsyl, 1984, 2.5, New. Go deeper into the complexities of Orson Scott Card's classic novel with science fiction and fantasy writers, YA authors, military strategists, including:<br />Ender prequel series coauthor Aaron Johnston on Ender and the evolution of the child hero<br />Burn Notice creator Matt Nix on Ender's Game as a guide to life<br />Hugo award - winning writer Mary Robinette Kowal on how Ender's Game gets away with breaking all the (literary) rules<br />Retired US Air Force Colonel Tom Ruby on what the military could learn from Ender about leadership<br />Bestselling YA author Neal Shusterman on the ambivalence toward survival that lies at the heart of Ender's story<br />Plus pieces by:<br />Hilari Bell<br />John Brown<br />Mette Ivie Harrison<br />Janis Ian<br />Alethea Kontis<br />David Lubar and Alison S. Myers<br />John F. Schmitt<br />Ken Scholes<br />Eric James Stone<br />Also includes never-before-seen content from Orson Scott Card on the writing and evolution of the events in Ender's Game, from the design of Battle School to the mindset of the pilots who sacrificed themselves in humanity's fight against the formics . 2013. TRADE PAPERBACK., 2013, 6, Collins & Brown, 2008. Hard cover. Like New/Very Good. Play your cards right with the only card making guide you’ll ever have to buy! A good greeting card has the power to touch the human heart, and these are the very best. Covering a wide range of occasions from anniversaries and seasonal highlights to children’s cards and invitations, this fabulous collection features the finest work from Sarah Beaman’s two previous books, as well as a range of new and exclusive designs. Packed with creative techniques, step-by-step pictures, and detailed instructions, it outlines every aspect of the process from hand-stitching and beading edges to pressing and attaching flowers. There’s even a wonderful gallery section to provide creative inspiration and make certain that you’ll never want for new ideas in the future!"., Collins & Brown, 2008, 4<

ISBN: 9781843404385

Collins & Brown. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owners name, shor… mais…

Collins & Brown. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owners name, short gifters inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included., Collins & Brown, 3<

2008, ISBN: 9781843404385

Collins & Brown, 4/1/2008 12:00:01 AM. hardcover. Good. 0.8661 in x 10.9449 in x 8.6614 in. This is a used book in good condition and may show some signs of use or wear ., Collins & Bro… mais…

Collins & Brown, 4/1/2008 12:00:01 AM. hardcover. Good. 0.8661 in x 10.9449 in x 8.6614 in. This is a used book in good condition and may show some signs of use or wear ., Collins & Brown, 4/1/2008 12:00:01 AM, 2.5<

ISBN: 9781843404385

Hardback. Very Good., 3